I I am become visions: archer without horse; water without sea. I cannot swim this confusion, cannot pierce this effervescent veil. I ride an ocean's expanse, poems rendered without words. II Doubt has stricken me this afternoon. I am succumb: plague of insecurity.
Birthday Dialogues
my god!, my god
for Gerard Manley Hopkins
My God!
That I might not know,
bent to the floor, dirt-kissed,
grit-scuffed, searching remains,
the absence of your name.
I am left, when right is all I can endure.
Thoughts of you appear miraculously,
wrapped in ethereal imagery,
inked papyrus? (flickering screen),
and I can but weep of thoughts of you lost,
forsake that which names your absence.
Your voice splashes through the rapids of my eyes.
The Dark Room
Light’s audacity continues to amaze me.
It stands still and stands for, senseless, mute,
immobile, resolute. Who could question passion’s
stills, desire’s shuttering, love’s stilling click?
Its baleful peer pierces moment’s shadow, exposes
my life within his spine’s juices, waves in his life
developing my fears and hopes. He envelops me
as I envelop him, deeps first, shallows last,
thermocline broken only at hunger’s fast subside.
I am in love with this girl who goes offering —
with this still life floating in troughs of tidepools spent.
sex before love
As we untangle I sweep spent chalk from your face,
smooth the dirt, lay again the white lines of our battlefield.
You had led off with speed, introduced power early on,
closed with pitching that overpowered me.Now, spent, I can pick the point at which we lost the game.
It was early on, third inning, two men on, my switch-
hitting third baseman striding confidently to the plate.
He had prevailed before, and over stiffer competition.You countered with a bullpen move. From wiley thumber
to pea shooter in the swift blink of a phone call.
And, like a couple who define their relationship through
the dynamics of power, failing to recognize the ebb and flowof interpersonal intercourse, not knowing that dominance
need not dictate course of action, so did we fail to understand
that when this time my good hitting overcame your good pitching,
it didn’t mean the game was over. There were still inningsto be played, home runs to be hit, errors to be made.
Unfortunate that our ballfield became bedroom,
our love-in-potential articulated through base need.
Now I can only wish that I had struck out.
Rouged Draughts
Rebecca, I’m told, is written on my body.
You speak the words, matter of factly, receding.
The flicker in the corner of the room makes me think of you
But I’m not yet sure what that means.
Unspoken is better, no?Rebecca, I’m told, brands me.
Fellini speaks from the beat of the port.
I wanted to talk of your body, moving,
Speaking to me as you walk away.
Rebecca lifts a hand, warns me of my excess.Rebecca, I’m told, has
Buried me behind walls that even
Prince Charming could not climb — no pornographic
Princess waiting to be mounted, no enchanting
Tale to wrap my lips about. I will walk,
To quote my muse,
For “as long as forever is.”
The Knowing
there comes a moment
when,
unlike any other,
you know.
the words no longer mean,
the emotions dull and tired,
the pain, while heartfelt,
is only that.
there is no turning back,
only the senseless beating,
the dull, rhythmical pounding
of your head against stone.
here I lay,
dying,
every pore of my soul open,
and all she sees is her.
I can no longer try,
only
experience,
my neck a tangled
pop.
from “Envois” by Jacques Derrida
Disclaimer: the following is a passage that I adore
from a critical theory work by Jacques Derrida.
My only contribution is to arrange the lines for presentation.
You are my only double, I suppose, I speculate,
I postulate, in sum everything that sets
me on my march today, the entire postulate
of my practical reason, all my heart, and I speculate
on you, you are now the name,
yourself, or the title of everything
I do not understand. That I
never will be able to know, the other sideof myself, eternally inaccessible, not un-thinkable,
at all, but unknowable, unknown, — and so lovable.
As for you, my love, I can only postulate (for who else,
with whom would I have dreamed this?)
the immortality of the soul, liberty, the union of
virtue and happiness, and that one day you might love me.
Jacques Derrida on being photographed and being identified as an “author”
random musings
the rain falls; light blue kisses between previously enamored friends. umbrellas dot the landscape, visual whores clamoring for their bread. an indistinct whisper reveals a hint of lips, painted, a touch of chin, rouged, a thin swallow of neck half-hidden in textile folds. banshees exit, tear back-popping exhaust through wet lights -- no sirens yet. bent tree, crumbling brown- green, shivers pattering pain onto damp walkway.
Ache
The wind whistles through my moonlit branches. No longer do I feel your weight upon my limbs, Your nestled breath in my leaves, Your song in my roots. Your melody speaks to me from the echo of a different pith. My dreams sound the beat of another's heart, My hopes fall some other's leaves, My fruit ripens different desires. I will refuse this flower's bloom for the absence of you.
sex with you is absence
Your skin circles my breast as our breath flows
downhill. There remains naught but residue
from our coupling, bright browns and sterling greys,
raised squiggles of passion and bent depressions
of moisture. I have considered death before,
looked into its void, smelled its sour fear,
yet nothing but your thighs locked and loaded
can drag me beneath its spell. Because sex
with you is absence. It is loss, submission,
regression, withdrawal from the conscious and
immersion in the starred splendors of forked
nights, burnt portals and thrice-prong’d cries.
Alone I stand in a bed black as the sun,
your absence a shimmering wave of denial.
Welcome
Hello. Thank you for coming by.
I’m not good with introductions, so I’ll just say this:
I am not a poet. I am just a person.
I’ve lost my way and I’m trying to find it back.
If you can help me tread my path I would appreciate it.
Because I cannot speak without you.
And I welcome your feedback.